Family Guy the Hand That Rocks the Wheelchair

12th episode of the ninth season of Family unit Guy

"The Hand That Rocks the Wheelchair"
Family Guy episode
Episode no. Season nine
Episode 12
Directed by Brian Iles
Written by Tom Devanney
Production code 8ACX11
Original air date March 6, 2011 (2011-03-06)
Guest appearances
  • Dee Bradley Baker
  • Colin Ford as Kid
  • Patrick Stewart as Susie Swanson
  • Jennifer Tilly every bit Bonnie Swanson
Episode chronology
Previous
"German Guy"
Next →
"Trading Places"
Family unit Guy (flavour 9)
List of episodes

"The Hand That Rocks the Wheelchair" is the 12th episode of the ninth season of the blithe comedy series Family Guy. Information technology originally aired on Trick in the U.s. on March half dozen, 2011. The episode follows One thousand thousand as she attempts to wait later her handicapped neighbor, Joe, after his wife, Bonnie, has to leave boondocks temporarily to visit her ailing father. Meg soon becomes infatuated with Joe, however, causing him to go nervous, and approach 1000000's parents. Meanwhile, Stewie inadvertently clones a truly evil version of himself who rampages through Quahog before ultimately attempting to kill Stewie and Brian.

The episode was written by Tom Devanney and directed by Brian Iles. Information technology received by and large mixed reviews from critics for its storyline and many cultural references. According to Nielsen ratings, it was viewed in vi.32 million homes in its original airing. The episode featured guest performances by Dee Bradley Baker, Colin Ford, Patrick Stewart and Jennifer Tilly, forth with several recurring guest voice actors for the series. Information technology was first announced at the 2010 San Diego Comic-Con International.

Plot [edit]

While in her home, Lois is approached by Bonnie, who is looking for someone to look after Joe and their daughter, Susie, while she is out of town. Lois agrees to practice then, only and then gets Meg to look after them instead. The next day, Meg visits Joe and Susie, and tells them that she will be helping them out while Bonnie is gone. Joe and Meg bond on the manner to schoolhouse, causing Meg to develop feelings for Joe. The post-obit forenoon, One thousand thousand wants to encourage Joe to like her and then she makes him breakfast. Joe takes no interest in Meg, who continually tries to approach Joe throughout the rest of the solar day. That night, later on receiving a call from Bonnie that she will exist returning home, One thousand thousand travels to the airport where Bonnie is parting (Bangor International Airdrome), and puts i of Joe's guns into her luggage. Bonnie is arrested by airport security (inadvertently revealing that she was also smuggling cocaine), giving Million actress time to be with Joe. Unaware that Meg has sabotaged Bonnie'southward travel plans, the two become to dinner, where Meg suggests that they have a infant, and then breastfeeds Susie to Joe's horror. Joe tells Lois and Peter of One thousand thousand's abnormal beliefs every bit Brian went through the same thing. Lois questions 1000000 nearly her infatuation with Joe, telling her that the two take nothing in mutual. 1000000 waits for Joe to return dwelling house, when she jumps in front of his constabulary car, attempting to paralyze herself in gild to have a common interest. Joe takes One thousand thousand to the hospital, where information technology becomes clear that she will recover and not lose the utilize of her legs. Meg apologizes to Joe for her behavior, Joe tells her he is lucky to have her equally a neighbour, and the 2 determine to become friends. Meg as well apologizes to Bonnie, who is understanding every bit she experienced a similar crush around 1000000'southward age.

Meanwhile, Brian tells Stewie that he has become soft, and has lost his evil nature. Realizing he is correct, Stewie builds a machine to increment his evil, merely information technology apparently has no upshot. However, unbeknownst to him, information technology creates a truly evil clone of him instead (distinguishable from the real Stewie in that he wears a ruddy shirt with yellowish overalls, whereas Stewie sports a yellow shirt with red overalls). Later that solar day, Evil Stewie attacks Brian, trying to strangle him with his collar and shoves batteries up his olfactory organ, almost killing him. The real Stewie appears and rescues him, and when he sees the clone he realizes what has happened with the machine. Stewie wants to exploit this, but the evil clone beats him into submission, cuts off Brian'south tail and forces it down Stewie'southward throat. Leaving both Brian and Stewie in agony, the clone goes outside and steals a car afterward graphically severing the commuter in half with a machete (in the DVD version, he is seen torturing and killing a boy who bullied Stewie at the get-go and the male child's parents before stealing the car). Attempting to capture the clone, Stewie ties Brian to a light mail service to deed as allurement. As Evil Stewie prepares to kill Brian, Stewie ambushes the clone and the two fight. Able to wriggle free, Brian grabs the clone's light amplification by stimulated emission of radiation gun, but both Stewie and Evil Stewie have stripped downwards to their diapers during the fight, and Brian cannot tell the existent Stewie from the clone. He kills the Stewie who fails to be amused by the sight of his own feet, a peculiarity of the real Stewie. Every bit Stewie and Brian begin to walk home, Stewie turns dorsum to the camera with a malicious grin and vivid yellow cat eyes, to the sound of Vincent Price's diabolical laughter, a reference to Michael Jackson's Thriller video.

Production and development [edit]

Patrick Warburton appear the episode at the 2010 San Diego Comic-Con.

Outset announced at the 2010 San Diego Comic-Con International past recurring cast member Patrick Warburton, the episode was written by series regular Tom Devanney and directed by serial regular Brian Iles during the course of the ninth production season.[1] Serial veterans Peter Shin and James Purdum, both of whom having previously served equally blitheness directors, served every bit supervising directors for the episode,[1] with Andrew Goldberg, Alex Carter, Elaine Ko, Spencer Porter and Aaron Blitzstein serving as staff writers for the episode.[one] Composer Ron Jones, who has worked on the series since its inception, returned to compose the music for "The Hand That Rocks the Wheelchair".[ane]

In addition to the regular bandage, voice player Dee Bradley Bakery, thespian Colin Ford, actor Patrick Stewart, and actress Jennifer Tilly invitee starred in the episode. Recurring invitee vocalisation actors Alexandra Breckenridge, player Ralph Garman and writer Danny Smith besides made small-scale appearances.[1]

Cultural references [edit]

Along with the episode's title, the One thousand thousand and Joe plot line heavily borrows from the storyline, as well as several scenes, of The Hand That Rocks the Cradle.[two] The scene where Evil Stewie appears in the empty machine is a direct homage to the Star Trek episode "The Enemy Within," downwardly to the lighting and piano fill, which has a similar premise involving an evil duplicate of Helm Kirk. While driving Meg to school, Joe asks what a Lady Gaga is. Stewie shown with yellow eyes and Vincent Price's laughter is a directly reference to Michael Jackson'southward Thriller music video.[ii] The evil Stewie acts like "Chucky," the main villain from the Child'due south Play serial by David Kirschner and Don Mancini, including the way he attacked Brian, and killing people with weapons.

Reception [edit]

"The Hand That Rocks the Wheelchair" was broadcast on March 6, 2011, as a role of an animated television night on Fox, and was preceded by The Simpsons and Bob'due south Burgers, and followed past Family Guy creator and executive producer Seth MacFarlane's spin-off, The Cleveland Show. It was watched by vi.23 million viewers, according to Nielsen ratings, despite ambulation simultaneously with Desperate Housewives on ABC, Undercover Boss on CBS and the flavor premiere of The Celebrity Apprentice on NBC. The episode besides acquired a three.i rating in the eighteen–49 demographic, beating The Simpsons, Bob's Burgers and The Cleveland Evidence in addition to significantly edging out all three shows in total viewership.[3] The episode's ratings decreased somewhat from the previous week's episode.[4]

Boob tube critics gave mostly mixed reviews toward the episode, calling the storyline "a decent render to wacky adventures of Quahog."[v] In a simultaneous review of the episodes of The Simpsons and Bob'due south Burgers that preceded the show, and the episode of The Cleveland Testify that followed it, The A.V. Order 'southward Rowan Kaiser wrote, "It was yet weird and a fleck experimental: An awkward conversation between Meg and Joe was done nigh naturalistically, while an evil Stewie clone engaged in hyper-violence across the usual unsaid cartoon violence. It wasn't equally funny equally it should exist, but it did accept its moments."[5] Kaiser went on to criticize Meg'due south role in the episode, commenting, "The trouble with Meg isn't just that she'southward treated equally a punching bag by the show; it's that as either a normal character or equally the butt of all the jokes, she'south almost never funny or interesting."[5] He concluded his review past stating, "I'chiliad non certain I liked it, but I did engage with it, which is an improvement over the concluding few weeks of the evidence,"[five] and ultimately gave the episode a C+ rating, placing it third out of four, beingness beaten by The Simpsons episode "The Scorpion's Tale" and the Bob's Burgers episode "Sheesh! Cab, Bob?", and beating The Cleveland Prove episode "The Bluish, The Gray and The Brown".[5] In a slightly more positive review of the episode, Jason Hughes of TV Squad praised the episode for its Meg-centric storyline, writing, "Meg is great as the incredibly needy, creepy, crazy, stalker type."[two] Hughes as well praised extra Mila Kunis for her portrayal of Meg, noting, "about expected her to plow into Annie Wilkes from Misery and strap Joe to a bed."[2] Hughes also stated his concern well-nigh the developments in the Stewie storyline writing, "I wonder if this was an acknowledgement that Stewie has changed with an intention to try and bring some of his edge back, or more than like a swan song goodbye to that level of callousness."[two]

References [edit]

  1. ^ a b c d e Devanney, Tom; Iles, Brian; MacFarlane, Seth (2010-03-06). "The Mitt That Rocks the Wheelchair". Family Guy. Flavour 09. Episode 12. Fox.
  2. ^ a b c d eastward Hughes, Jason (2011-03-07). "Sundays With Seth: 'Family Guy' and 'Cleveland Show' Recaps". TV Squad. Archived from the original on 2011-04-12. Retrieved 2011-03-08 .
  3. ^ Seidman, Robert (2010-03-07). "TV Ratings Sunday: 'Undercover Millionaire' Money for ABC; Eatery Not And then Slap-up, 'Celebrity Apprentice' Down; 'Housewives Up'". TV past the Numbers. Archived from the original on 2011-03-x. Retrieved 2010-03-08 .
  4. ^ Seidman, Robert (February 21, 2011). "TV Ratings Sunday: Blame NBA All-Stars? 'Astonishing Race' Off to Slow Showtime; 'Drastic Housewives,' 'Brothers & Sisters' & Flim-flam Animations Rise, Simply..." TV by the Numbers. Archived from the original on February 24, 2011. Retrieved February 21, 2011.
  5. ^ a b c d e Kaiser, Rowan (2011-03-07). ""The Scorpion's Tale"/"Sheesh! Cab, Bob?"/"The Hand That Rocks The Wheelchair"/"The Blue And Grey And Dark-brown"". The A.V. Club . Retrieved 2011-03-08 .

External links [edit]

  • "The Hand That Rocks the Wheelchair" at IMDb

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Source: https://en.wikipedia.org/wiki/The_Hand_That_Rocks_the_Wheelchair

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